All GRECO, El Oil Paintings

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
 

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GRECO, El View and Plan of Toledo oil on canvas


View and Plan of Toledo
View and Plan of Toledo
Painting ID::  43707
  c. 1610 Oil on canvas, 132 x 228 cm
  c. 1610 Oil on canvas, 132 x 228 cm

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  INS/CM       Quality

X

  

GRECO, El Apostle St Andrew oil on canvas


Apostle St Andrew
Apostle St Andrew
Painting ID::  43708
  c. 1610 Oil on canvas, 70 x 53,5 cm
  c. 1610 Oil on canvas, 70 x 53,5 cm

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GRECO, El Saint Peter oil on canvas


Saint Peter
Saint Peter
Painting ID::  43709
  1610-13 Oil on canvas, 209 x 106 cm
  1610-13 Oil on canvas, 209 x 106 cm

Height    Width


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GRECO, El St Ildefonso oil on canvas


St Ildefonso
St Ildefonso
Painting ID::  43710
  1610-13 Oil on canvas, 219 x 105 cm
  1610-13 Oil on canvas, 219 x 105 cm

Height    Width


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GRECO, El St Jerome as a Scholar oil on canvas


St Jerome as a Scholar
St Jerome as a Scholar
Painting ID::  43714
  1600-14 Oil on canvas, 108 x 89 cm
  1600-14 Oil on canvas, 108 x 89 cm

Height    Width


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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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